Kevin Lerdwichagul is a Thai-Australian producer, writer, director, and voice actor born on June 21, 1994. Best known as the co-founder of Glitch Productions alongside his younger brother Luke, he emerged as one of the key creative forces behind Meta Runner, helping shape the studio’s move from internet-native comedy toward long-form original animation.
What began in 2017 as a Sydney bedroom startup has since grown into a fully self-funded independent studio, and Kevin has been central to that growth as the company expanded into larger productions such as Murder Drones.
Before his performance credits became more visible to audiences, Kevin was already deeply involved in scripting, producing, and shaping scenes from the inside out, which is why his work resonates so strongly within the broader space of online voice actors.
His earliest notable character work is tied less to headline roles than to worldbuilding: in the Meta Runner universe he voiced Bot-Boy, additional Bot-Boys, TAS-Bot, TAS-Boy, streamers, and other incidental parts that gave Silica City its texture while the first fully animated GLITCH series found its identity. The show ultimately ran for three seasons and 28 episodes, with support from Screen Australia and Epic Games, as reflected in the evolving Meta Runner voice cast.
Kevin’s producer-writer perspective was central to how Meta Runner balanced cyberpunk spectacle with character vulnerability, especially around Tari’s emotional arc, brought to life by Celeste Notley-Smith.
He also worked within an ensemble that relied on quick tonal pivots between humor, danger, and sincerity, which makes his creative overlap with collaborators such as Robyn Barry-Cotter part of the show’s lasting appeal.
That same collaborative sensibility carried across performances from actors like Jason Marnocha, reinforcing the studio’s mix of internet-born energy and increasingly polished genre storytelling.
Notable Roles and Performances
Outside Meta Runner, Kevin’s clearest named role is Braxton in Murder Drones. Braxton is a minor character in the pilot, but he remains memorable because he belongs to the colony’s ordinary working world, sharing the Door 1 guard lineup with characters such as Makarov.
That performance works best when viewed as part of the wider Murder Drones voice cast rather than as a standalone showcase. The series later completed its eight-episode run in August 2024 and expanded to Prime Video in 2025, a sign of how far GLITCH productions can travel beyond their YouTube premieres.
His collaboration with his brother remains the backbone of that ecosystem; Kevin and Luke Lerdwichagul built GLITCH together, and their combined work across producing, writing, directing, and editing has helped the studio maintain a recognizable tone across multiple series.
Kevin’s productions also benefit from recurring performers who can shift easily between menace, comedy, and sincerity, which is one reason actors such as David J.G. Doyle feel so naturally aligned with the GLITCH catalogue.
The same is true of versatile web-animation regulars like Lizzie Freeman, whose work across several GLITCH-related productions reflects the studio’s tendency to build long-term creative relationships rather than one-off casting choices.
Meanwhile, performers such as Elsie Lovelock helped define the emotional intensity of Murder Drones, giving Kevin’s production choices a sharper dramatic payoff on screen.
Collaborations and Creative Partnerships
Kevin’s importance has only grown as GLITCH expanded beyond its early slate. After the success of Meta Runner and Sunset Paradise, the studio backed The Amazing Digital Circus, which debuted in October 2023 and quickly became another major YouTube-first breakout for the company.
That expansion also brought a broader talent network into orbit, visible in the evolving Digital Circus voice cast and in the way GLITCH now balances creator-led shows with a more scalable studio pipeline.
The studio’s newer direction is also visible in The Gaslight District, a supernatural crime project that shows how far Kevin’s production world has moved from machinima roots toward a wider range of genres and tones.
Even at that scale, the casting philosophy still feels personal; the growing The Gaslight District voice cast reflects a studio that continues to mix established talent with performers who came up through web animation.
Challenges and Growth as a Voice Actor
As a multi-hyphenate creator, Kevin has had to grow without separating performance from production. GLITCH now operates with more than 100 staff and handles development, distribution, merchandise, and marketing in-house, but his own on-screen voice work still tends to favor targeted character parts over constant lead casting. That approach also suits a broader slate that now includes projects such as Knights of Guinevere.
Future Projects and Aspirations
The clearest sign of Kevin’s next phase came in January 2026, when GLITCH announced its full-series collaboration on Gameoverse, a 2D project with Ross O’Donovan and Arin Hanson, with the pilot targeted for May 2026. In practice, that means Kevin’s future will likely continue to sit in the same overlap that has defined his career so far: developing new worlds, supporting creator-driven productions, and stepping in as a performer when a series benefits from his voice. For readers following GLITCH’s expanding taste for character-rich storytelling, directories such as Knights of Guinevere characters hint at the kind of worldbuilding this next era is embracing.
